Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Tuesday, August 24, 2010

Haven't done these for while...

The latest 3-D street art.  My favorites:




[More]

OK, it's not Rembrandt.  But it's not Thomas Kinkade either.

[Blog note:  On the road again (see right), and my new regime is to use downtime when I'm gone for reading utter trash like space operas and stuff.]

BTW, once again the guys in NE are pretty optimistic, but the corn looks oddly yellow to me.

Sunday, July 18, 2010

Not so different...

I was going to put this in the next Junkbox, but my reaction to it grew.  So FWIW: the earliest surviving painted portraits.



It is the remarkable realism, almost photographic, that separates these portraits from Egyptian wall paintings or even Medieval art.
The portraits were attached to burial mummies at the face, from which almost all have now been detached. They usually depict a single person, showing the head, or head and upper chest, viewed frontally. The background is always monochrome, sometimes with decorative elements. In terms of artistic tradition, the images clearly derive more from Graeco-Roman traditions than Egyptian ones. The population of the Faiyum area was greatly enhanced by a wave of Greek immigrants during the Ptolemaic period, initially by veteran soldiers who settled in the area.
Two groups of portraits can be distinguished by technique: one of encaustic (wax) paintings, the other in tempera. The former are usually of higher quality.
About 900 mummy portraits are known at present. The majority were found in the necropoleis of Faiyum. Due to the hot dry Egyptian climate, the paintings are frequently very well preserved, often retaining their brilliant colours seemingly unfaded by time. [More]
These were folks like us.

Monday, May 17, 2010

When I was a boy...

Everything was better. In a nutshell, this seems to be one of the prevailing winds in American sentiment today.  Luckily we have given it a name: declinism.
Judis identifies three strains of American thinking that help to define the Tea Party movement:
The first is an obsession with decline. This idea, which traces back to the outlook of New England Puritans during the seventeenth century, consists of a belief that a golden age occurred some time ago; that we are now in a period of severe social, economic, or moral decay; that evil forces and individuals are the cause of this situation; that the goal of politics is to restore the earlier period; and that the key to doing so is heeding a special text that can serve as a guidebook for the journey backward.
I’ve offered a dissent from the common libertarian perception that we have declined from a golden age of liberty, but declinism is certainly a strong theme in conservative thought. (Not to mention in Club of Rome environmentalist thought.) Judis suggests that declinism often takes conspiratorial form and wonders “how could a movement that cultivates such crazy, conspiratorial views be regarded favorably by as much as 40 percent of the electorate?” [More*][Note the shameless end-around to gated (subscription) material I am using here]
This world-view is in vogue for unhappy citizens of lots of countries, but I think especially pronounced here as we seek to reconstruct a past that probably didn't really exist. In fact, there is an entire 1984-ish cottage industry set up to manufacture a past to fit these desires.

It even affects our thoughts about food, as Steve Cornett wanders again where only the the brave or foolish go.
Steaks don’t taste as good as they used to.
That’s what Mark Schatzker thinks, and it’s what I think, too.
And, yes, I’m aware that there is more Choice and Prime beef today than there was a few years ago. But we’re agreed that USDA quality grade is not a precisely precise indicator of eating quality.
But we have our differences. I think USDA grades are the best measure we have in a commodity-graded industry. I wish we had something better, but I’m not sure we ever will.
He seems to blame corn feeding.
I am compelled to revisit Mark’s book, Steak: One Man’s Search for the World’s Tastiest Piece of Beef, because I did a short blog last week that seems to have been misunderstood. To the point that one responder accused me of not having tastebuds. [More worth reading if you eat beef]
My first reaction is starting from a perspective of decline can be a debilitating handicap in the pursuit of satisfaction. I am not immune, I must admit, but my looking backward takes a more bizarre countenance: I like paintings by Robert Hubert Hubert Robert (Always have trouble with that name!)

No kidding.  I can stand for long periods looking at depictions of places that never were, but should have been.  In fact, tomorrow, Jan and I are escaping to Chicago and I will go the the Art Institute to view my favorite work.


Okay, given my other strange predilections, why am I mesmerized by very large oil paintings of non-existent ruins?


Man, I have asked myself that a million times.  So far, I have come up with these possibilities:

First, I had a pretty happy, clueless childhood.  I think romanticizing the past comes easily to those of us who don't have many sad chapters to recall. Hence, the idea of a better, more-everything yesterday is at hand to embrace.

Second, melancholic nostalgia must be a common human trait.  I say that because it sells like crazy.  It must evoke some emotional rewards that cannot be duplicated by other stimuli.  From collectors to re-enactors, people love to rebuild a past to their own specs.

Third and most powerful perhaps, our memory is the worst possible source of data about the past, so much of the time we are misremembering a past that did not really happen.

Given the restless dissatifaction of many today, escaping to a "past", or deciding we should reverse course is understandable. Even if it is infeasible or chimerical.

Like the way steaks used to taste.

But the growing belief our culture and lives are going downhill is far from harmless. Mostly because the folks deciding which way is "downhill" seem to be convinced they alone know the slope. 

* Link fixed - sorry.

Wednesday, February 24, 2010

Japanese rice subsidies...

Are waaaay too high.

[More]

Remember, they do this when they plant, not just with a string trimmer.

I wonder if they could do dogs playing poker?

[via infonation]

Saturday, February 20, 2010

Kiwis are different...

 Optical illusion sculpture from NZ.


[More photos that may or may not help]

[via bb]

Thursday, December 31, 2009

A medium for everyone...

Artists work in many media, so maybe there is one each of us.  Just like velvet paintings, there are carved leather portraits.



[More]


[via neatorama]

Monday, December 07, 2009

Things I haven't posted for a while, Part XXV...

Street art.


[More great stuff]

Saturday, September 12, 2009

Yeah - I'd buy the book...

Great astronomical illustrations.  Put one of these on the cover of some pulp s-f, and I'm pulling out my wallet.



[More - worth the click]

[via presurfer]

Sunday, September 06, 2009

Too bad, Rembrandt...

This is how you paint a portrait.


[More and how it was done]

Of course, maybe this what girls looked like to Remmy.

 
[More]



[via sullivan]

Wednesday, May 27, 2009

I wonder if he does machine sheds?...

Especially if you live along a busy highway, wouldn't something like this be cool?

  [Click to embiggen]
At first glance, it looks as if some natural disaster has shaken away the walls of these buildings to reveal architecture hidden for thousands of years.

And at second and third glance, it looks like that too.

But these spectacular images are not the unexpected result of an earthquake. [More]
[via presurfer]

Monday, February 16, 2009

Things my mind can't handle...

3-D street art, for one.

(Click to enlarge)
Residential buildings and a couple of business are strung together. The look falls to an apparently quite normal street of a German, medium-sized town. But an apocalyptic scene offers itself to the observer. The floor has burst and lava flow into a raging sea there where cars ran once and the people followed their weekday. Nothing is like it once was. The superior elemental force forces its way. Appearances are deceptive. If one looks of the right point of view, Muellers three-dimensional painting becomes the perfect illusion. [More astounding work]
[via neatorama]

Monday, July 28, 2008

I don't know art, but...



But if it needs batteries, can it really be all that timeless?



 
And you thought Etch-a-Sketch was tough. Ian Cook made this portrait of a Chevy Camaro by soaking the wheels of remote controlled cars in paint and then painstakingly driving them around on his canvas. He also uses full-size tires to fill in large blocks of color, but still, the results are pretty amazing—if you've ever tried to ambush your unsuspecting cat with an RC you know how tricky precision maneuvering can be. He's currently camped out at the London Motor Show doing portraits of cars (meta!). [More]
[via andrew sullivan]

Tuesday, July 08, 2008

Always check the forecast first...



Amazing street art.






[More]



[via ps]